James and Mary Emelia Mayne Centre




(3 vote, 66.67% worth checking out)
Location:
Show on map & checkout the other sites nearby
The University of Queensland
Building 11 University Drive, St Lucia
Brisbane
Queensland 4067
Australia
coordinates: -27.4965210,153.0121002
open coordinates in google maps
open coordinates in apple map
Building names(s): James and Mary Emelia Mayne Centre
Architect/Designer: Wilson Architects
architect website:
Images:
Show on map & checkout the other sites nearby The University of Queensland
Building 11 University Drive, St Lucia
Brisbane
Queensland 4067
Australia
coordinates: -27.4965210,153.0121002
open coordinates in google maps
open coordinates in apple map
Building names(s): James and Mary Emelia Mayne Centre
Architect/Designer: Wilson Architects
architect website:
Images:
Completion date: 1970 - original / 2004 - conversion
function(s): academic, university
Original Architect: Robin Gibson
Opening hours: daily 10.00 am – 4.00 pm
Closed on public holidays
suggested on: 26 March 2010 |
Suggested By LT
1 comment/review
Australian Instute of Architects says:
Mar 26, 2010
Mayne Hall was an award winning building designed by Robin Gibson in the 1970’s as a concert hall, and for ceremonial graduations. With the construction of a larger multipurpose facility this building was mostly redundant. Wilson Architects and Wilson Landscape Architects were commissioned to convert this building into an art museum whilst retaining the original envelope, the organ, and the stained glass window. The art museum was essentially a building within a building. This strategy was employed to allow the original volume of the hall to be ‘read’. Lightweight bridges connect the new mezzanine to the ground plane. A feature of this development is that pedestrians walking past the building will be able to see the collection and those visitors within the gallery can enjoy the views of the stone facade of the Forgan Smaith Building. The conceptual starting point for the project was to appreciate the core ‘bones’ and logic of the existing fabric so as to reinvigorate and re-orientate one’s experience of the building with the careful insertion of new spaces and uses. A bold timber clad form is inserted into the existing volume creating tension around the edges of the hall that greatly enhance the appreciation of Gibson’s use of natural light. The inserted two storey timber clad ‘pod’ which houses the gallery space was conceived as a dynamic fluid counterpoint to the rigid geometry of the existing building. This created the opportunity for dynamic spatial changes while moving through the gallery and utilisation of views out of the building, allowing the visitor to frequently re-orientate themselves within the broader landscape.